Satirical Nativity Displays at American Churches Push Back on ICE
Across the US, satirical holiday exhibits have appeared that critique aggressive federal immigration crackdowns. These installations reimagine the traditional Christmas story, depicting the newborn Jesus and his family, Joseph and Mary, as figures caught up in the tactics of immigration authorities.
An Evocative Retelling in a Chicago Suburb
One powerful display at a congregation in Evanston, Illinois features the infant Christ placed within a crib out in the snow. However, the figure is covered by the kind of emergency blankets frequently distributed to those in custody and has its hands bound with zip-ties.
Nearby, the statue of Mary is positioned outside the church, wearing a gas mask. Such gear has been used by activists attempting protection from chemical agents. Beside her are figures of Roman soldiers, however in this scene they are wearing tactical vests labeled with the letters “ICE.”
‘The Holy Family is in Hiding’
At another Windy City church, the customary figures of Jesus, Mary, and Joseph are nowhere to be seen from the traditional nativity scene featuring camels and donkeys and wise men. In their place, a sign carries a direct message: “Because of ICE activity in our neighborhood the holy family is in hiding.”
“The holiday season is a period where we have public art out on the lawn and we get an opportunity to make a statement,” said a senior minister behind one of the displays.
Messages Echo Nationwide
These visual protests are extensions of the visible part played by faith leaders in recent protests against federal policies. Similar socially conscious displays have appeared in other states.
In Massachusetts, a parish took away the small statue of the baby Jesus from its creche. In its spot was a handmade notice that stated: “Immigration authorities were here.” Church officials reportedly stood defiant despite criticism from both religious and agency leadership.
Linking Ancient Story and Contemporary Issue
According to those behind these displays, presenting the ancient story of the nativity within a contemporary political frame helps bring focus to current government agendas. They contend that the family's status as refugees parallels the actual anxieties and experiences of numerous families today, encompassing family separation and the deportation of breadwinning family members.
This is not the first time congregations have employed nativity scenes for social commentary. Previously, installations have highlighted topics ranging from conflict to the climate crisis.
Encountering Pushback and Enduring the Elements
The statements are not always universally welcomed. A clergy member participating commented that some detractors either misinterpret the intent or “find it very difficult to their sense of right and wrong and are lashing out at the art rather than considering what the actual message is.”
In a physical sense, the weather have also impacted one display. At another church, the statue of Joseph was knocked over in a storm and could not be restored. A replacement sign now marks the space, stating: “Joseph was lost. We hold this space to honor and remember all the victims of immigration enforcement terror.”