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Wednesday, October 14, 2026
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Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film is in UK and Irish cinemas from 17 November.

By

Sean Rogers

A quantum physicist and tech writer passionate about making complex computational concepts accessible to a broader audience.

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